stanza my stone

Emma—intern at Melville House; staff writer at The Female Gaze; contributor to Birdfeast, Two Serious Ladies, Used Furniture Review, Vinyl, Handsome, Keep This Bag Away from Children, etc.

Writing site

Latest writing:
- "Tiny Beautiful Things by Cheryl Strayed" at The Female Gaze
- "Quarter-Sonnet" and "Selvage" at Keep This Bag Away from Children
- "Fond" at Vinyl
- "You in California" at The Juvenilia

"Against tremendous odds, without anyone giving them the right to take up the pen or a proper education, women such as Anne Finch, Jane Austen, George Eliot, the Brontës, and Emily Dickinson had taken up the pen anyway, not only joining in the grand literary project but, if you could believe Gilbert and Gubar, creating a new literature at the same time, playing a man’s game while subverting it. Two sentences from The Madwoman in the Attic particularly struck Madeleine. ‘In recent years, for instance, while male writers seem increasingly to have felt exhausted by the need for revisionism which Bloom’s theory of the “anxiety of influence” accurately describes, women writers have seen themselves as pioneers in a creativity so intense that their male counterparts have probably not experienced its analog since the Renaissance, or at least since the Romantic era. The son of many fathers, today’s male writer feels hopelessly belated; the daughter of too few mothers, today’s female writer feels that she is helping to create a viable tradition which is at last definitely emerging.’"

— Jeffrey Eugenides, The Marriage Plot

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